it has been a long journey but here is our final video, i hope you enjoy it :)
A simple shot of a tree can be made to look threatening by stripping it of leaves, adding a vulture and some lightening and shooting it in darkness. The same tree can be given a very different look by having children playing beneath its sunlit branches. As an experienced film audience we are able to read these hidden signals of lighting, colour, props and characters and add these to our understanding of what will happen in the film.
In this way, the elements of mise en scéne are an indicator as to the genre (type) of film we are watching. We have certain expectations of the mise en scéne in different genres of films; e.g. Horror; Dark, creepy, evil.
Comedy; Bright, colourful, lively.
The elements to consider in the mise en scéne are:
a) settings & props
b) costume, hair & make-up
c) facial expressions & body language
d) lighting & colour
e) position ing of characters & objects within a frame
Heres a brief look at each of these in turn;
SETTINGS & PROPS
SETTINGS:
The settings used in a film are very rarely just backgrounds to the characters' dialogue and indeed we will often see shots of places without any action taking place. In this way the setting of a film is far more significant than the setting of a theatre and is almost always infinitely more detailed. Filmmakers can choose to build a setting from scratch using the bare walls and floor of a studio set; alternatively, a great deal of time and effort is put in by a location manager in the initial stages of making a fil;m to find a setting which already exists. Invariably this location will then be altered further to reflect exactly what the filmmaker wants to convery.
Settings can be used to manipulate an audience by building certain expectations and then the action takes a different turn, for instance, a tale of horror set against the familiar background of modern everyday urban life is showhow more disturbing than one set a century ago in a house in the wooods. This can be particularaly effective if the setting goes against what we would expect from this genre of film.
PROPS:
Props is the term we give to objects in the setting which play a part in the action, rather than just being part of the background, for example, the glass containing the poisioned wine.
COSTUME, HAIR & MAKEUP
COSTUME:
Costume plays a large part in the mise en scéne because it can be an instant indicator to us of a character's personality, social status and job. It tells us immediately whether the film is set in the present and what society and/or culture it will centre around. It may also provide a clue as to the part of the caracter will play in the action. Certain types of costume are identified closely with indicidual genres, for instance, the black cloak of the vampire with a horror film.
MAKE UP:
In the early days of cinema, make-up was used to highlight facial features as black and white film stock could not register detail very well. Certain genres traditionally use make-up more than others.
In this way, the elements of mise en scéne are an indicator as to the genre (type) of film we are watching. We have certain expectations of the mise en scéne in different genres of films; e.g. Horror; Dark, creepy, evil.
Comedy; Bright, colourful, lively.
The elements to consider in the mise en scéne are:
a) settings & props
b) costume, hair & make-up
c) facial expressions & body language
d) lighting & colour
e) position ing of characters & objects within a frame
Heres a brief look at each of these in turn;
SETTINGS & PROPS
SETTINGS:
The settings used in a film are very rarely just backgrounds to the characters' dialogue and indeed we will often see shots of places without any action taking place. In this way the setting of a film is far more significant than the setting of a theatre and is almost always infinitely more detailed. Filmmakers can choose to build a setting from scratch using the bare walls and floor of a studio set; alternatively, a great deal of time and effort is put in by a location manager in the initial stages of making a fil;m to find a setting which already exists. Invariably this location will then be altered further to reflect exactly what the filmmaker wants to convery.
Settings can be used to manipulate an audience by building certain expectations and then the action takes a different turn, for instance, a tale of horror set against the familiar background of modern everyday urban life is showhow more disturbing than one set a century ago in a house in the wooods. This can be particularaly effective if the setting goes against what we would expect from this genre of film.
PROPS:
Props is the term we give to objects in the setting which play a part in the action, rather than just being part of the background, for example, the glass containing the poisioned wine.
COSTUME, HAIR & MAKEUP
COSTUME:
Costume plays a large part in the mise en scéne because it can be an instant indicator to us of a character's personality, social status and job. It tells us immediately whether the film is set in the present and what society and/or culture it will centre around. It may also provide a clue as to the part of the caracter will play in the action. Certain types of costume are identified closely with indicidual genres, for instance, the black cloak of the vampire with a horror film.
MAKE UP:
In the early days of cinema, make-up was used to highlight facial features as black and white film stock could not register detail very well. Certain genres traditionally use make-up more than others.