Codes and convensions of the horror genre

This type of genre strives to educe fear and apprehension from their viewers by colliding supernatural into reality situations. Everything a normal society values is systematically destroyed throughout the film. It often can be completely paranormal without any reality whatsoever and are based on classic literature of the gothic/horror genre. They can also incorporate elements of other genres such as science fiction (sci-fi), fantasy, black comedies or thriller. Modernized horrors usually contain graphic violence or bloody gore. Horror films differentiate due to the years and so it is much harder to compare or group them largely and so contrasts between them become very clear.


o Preliminary introduction into ordinary lifestyleo Type of bizarre murder/death – killer maybe known or unknowno Credits follow horror theme – creepy font, title movement, image eg pumpkin, weapon, etc
o Main characters introduced – young/ youthful
o Teenage kids – easy target also vulnerable – home alone
o Teenagers usually a couple – football jock boyfriend and cheerleader blonde bimbo girlfriend.
o Mysterious phone calls – dubbed sinister voice “Who’s There…?”
o Family ties broken
o Sisters killed by brothers e.g: Halloweeno Sometimes unsuccessful acts of heroism
o Victim unprotected
o Superhuman killer – doesn’t die successfully = sequels

Storyboard

Here is our storyboard, it is a brief copy as during filming we lost the original copy.

the benifits of using a storyboard is it gives us a good idea about how we want shots and what we want them to look like while story board i have to think about if the camera angle was possible for us and if the lighting would be correct. we used it during filming briefly but as we were filming we though of new ideas and adapted them to are production and as we went though the filming we realised some shots would look better in different ways .In the origional we put shot duration, sound and lighting and a brief discription of what was happening in the shots.

i had to be efficant with my time as i had to draw alot of shots and at the same time have to make them reconisable for anyone using the storyboard. i obtained the storyboard sheet via mr deVita and used a A3 printed to print it out so i could draw more detail into it also thiswould make things clearer, i used a pencil and pen to draw/write this.

as you can see from the images we have tried to stick to are original idea as closely as we can  here is a comparision of the storyboard vs the video

as you can see we've stuck to the environment shown in the storyboard as before filming we had to go down to the filming location and examine where shots will possibly go. as you can see the charater is wearing the correct clothing as this was decided before the storyboard was created and shadows are drawn in correctly the correct places on connors face

us at the location

Facebook Group

This is our Facebook group, I set this up to firstly draw in people to our productions however, it is also so that we can do some research into our target audience. we can post links to our blogs, our YouTube account and keep people up to date with our production; we also can ask people who follow our group questions such as what films do you like, where do you watch them and many more. we have been able to gather so much information about our target audience due to this group.

we are also going to use this in our evaluation, asking people to post reviews and score our final video.
http://www.facebook.com/home.php?#!/home.php?sk=group_139347546114394&ap=1

Foley art

Liam, Scott and myself set about recording some sound effects for our media piece “Relentless Possibility”; we researched into Foley art, a technique used by film industries to add sound effects. I found a video online showing sound technicians for a popular video game, recording sound effects and then demonstrating how they use them.

This video gave us a lot of inspiration for our video’s audio. We arranged a date where we would go round to Scotts house to record our vegetable genocide; Liam and myself went to town to collect equipment and fruit and veg, we considered health and safety by buying some overalls, glasses and some other protective clothing. We also bought some Tarpaulin, Duck Tape, Bamboo, Tights, Hair Gel, CDs, a Hammer and lots of Fruit and Veg. 

We constructed a Pop Shield out of some tights stretched over and embroidery ring, this was to help reduce any hiss sounds the microphone may pick up, it also protects it from any foreign projectiles (banana juice/goo) once we made these we duck taped them on to some bamboo and tapped that to the tripod, positioning it in front of the microphone. We then got started on destroying some fruit, setting up a stand made out of cardboard and wooden beams, using our array of tools we dismembered the fruit; recording the result with Scotts audio equipment and Liam’s D90 for visual. Once we had cleaned up the putrefying mess we listened to the result, find some thing worked really well and others were a dismal.

Scott and myself then went over the recordings at a latter date to compose them to fit our film segments; we did this using Cubase sound recording and editing software we layered the sounds up on top of each other to create a stabbing sound. Once we created the ideal sound we exported it and Scott uploaded it to soundcloud for me to download and use when I needed it.

It was then a simple case of downloading it and adding it to our media film, this combined with the editing has helped to intensify the genera of our film. 

Police meeting

Liam and myself met with sergeant Coleson, a member of the police the police this was ask for permistion to use a decretive, training sword. it was also to ensure that we would be allowed to film out in public with a realistic looking weapon. After the sargent inspected the weapon, we went over the offensive weapon act. this included such things as determining the length, sharpness and most important of all the intentions of the weapon. 

This video is a debrief of the meeting;

Informant

This post is just to say that throughout the past moths the group and myself have been working on the project, this has resulted in myself not posting in a while. however in this time frame we have done a lot of work that we shall be sharing with you shortly. for example we have:

• had a meeting with the Werrington police
• selected our set
• check the lighting
• organized everyone
• over came many problems
• filmed our movie
• edited our clips together
• and discussed many ideas for our title sequence

I will post more entries over the coming weeks where i will go in to more detail about the above.

Health and Saftey

we have had to consider our heath and safety for our project, this because we are using realistic weapons in a public place. we have considered members of the public being scared or worried about the goings on in our horror (e.g. the kill scene). to combat this problem we will have a member of crew,l wearing a high visibility jacket with a dedicated phone line on the back (a mobile number, where they can call for a brief description of what we are doing); along with that the in tire crew will be wearing a high visibility jackets that say crew on the back. we will also ask Scott if he will over see our shooting as a responsible adult. we may also consider having a trained first aider on set.

we have also got in contact with the local police dept. and are awaiting for a response to our phone call to set up a recorded meeting to explain our project and our intentions. we have also written a letter to inform them of our goings on. this is shown below

9^th December 2010

To Whom It May Concern

I am writing to inform you that we will be shooting a horror film sequence for our AS Media Studies Project.  This will include the use of realistic looking weapons (e.g. knife). This will be shot around dusk/ night near Olympus house. We will inform you of the dates nearer the time of shooting this. We will also inform Olympus House of these events.

This is part of our Media Studies course and it involves filming an opening scene for our chosen genre. We have selected the Horror genre. We have planned out our script and costumes for this over the last few weeks. All members of our group will be wearing high visibility jackets during filming.  Group members include: Connor Page, Francesca Williams, Ryan Newson and Liam Oliver. Also Sophie Stokes will be involved as an actress on this day.

We will have a dedicated help line displayed around the set where any member of the public can call to be informed of the current events in place.  A risk assessment will be carried out prior filming.  We kindly request your Consent to these events; if you have any queries please contact Connor Page on  07807 070458 or contact Roberto DeVita at Ken Stimpson Community School.

Yours sincerely

StandHardProductions                      R De Vita

                                                          Media Studies Teacher (KSCS)

Analysing 'The life of a bullet' Lord of War intro.

I've chosen to do a quick analysis of this as we plan to attempt to do a POV (point of veiw) shot of a weapon in our project.

The POV of the bullet, adds more drama into the images, and involves the audience with the action more, making them feel like its them in the images place. This added depth. Putting this into an intro sequence is a very good way to create enigma and draw the audience in making them wanting to watch more.

In 'Lord of War', we follow the life of a bullet, from production, to shipping, to usage. The usage of it, shows it contact with someones head, kiling them instantly. The end of the bullets life, and the persons. We watch the bullets whole life, beginning to end and, essentially, how it was 'born' just to kill. This could, in some way, relate to the soldiers, or insurgents?

Following the life of just one single bullet, and that being the one and only bullet to contact with, and kill the person could relate to showing how much difference just one person/thing can make. Possibly, also, just how much destruction/devestation one person/thing can cause.

Storyboard referb and Shooting Script

Ryan and myself met up on Monday the 6th, this was to turn the ruff draft of our storyboard {image to be added} into a finalized and presentable format. We did this by: first of all reprinting the templates on A3 paper, then we went over the draft shot by shot. Ryan then drew out the shots as they were described and shown; we strongly thought about shading to show the lighting techniques. 
 {image to be added}
Once we we happy with how it looked we showed it to our group, after getting the go ahead, we handed it over to liam. he then turned this storyboard into the shooting script, this will then be used whilst filming.
{image to be added}

Codes and Conventions of horror.

This type of genre strives to educe fear and apprehension from their viewers by colliding supernatural into reality situations. Everything a normal society values is systematically destroyed throughout the film. It often can be completely paranormal without any reality whatsoever and are based on classic literature of the gothic/horror genre. They can also incorporate elements of other genres such as science fiction (sci-fi), fantasy, black comedies or thriller. Modernized horrors usually contain graphic violence or bloody gore. Horror films differentiate due to the years and so it is much harder to compare or group them largely and so contrasts between them become very clear.

  o Preliminary introduction into ordinary lifestyle
o Type of bizarre murder/death – killer maybe known or unknown
o Credits follow horror theme – creepy font, title movement, image eg pumpkin, weapon, etc
o Main characters introduced – young/ youthful
o Teenage kids – easy target also vulnerable – home alone
o Teenagers usually a couple – football jock boyfriend and cheerleader blonde bimbo girlfriend.
o Mysterious phone calls – dubbed sinister voice “Who’s There…?”
o Family ties broken
o Sisters killed by brothers e.g: Halloween
o Sometimes unsuccessful acts of heroism
o Victim unprotected
o Superhuman killer – doesn’t die successfully = sequels

-Source; http://smay-fuller-suttonmediaas.blogspot.com/2008/12/codes-and-conventions-of-horror-film.html

Meeting

 Liam and myself had a meeting yesterday after school at Olympus house (the location of where we will be shooting) to go over ideas and give ourselves a brief idea of how they would play out. Whilst doing this, we planted a few more ideas and tweaked a few of the other shots. Our product will now be more finalised with the new ideas we came up with to close off the scene.

Clothing research

We have started research into clothing for our Opening Scene. We have also looked into buying hi vis jacket to alert members of the public that we are part of the filming. The below print screen shows that 4 high vis jackets would cost £5.20 and 4 Jackets with print on the back would cose £16.20.

The i-pod we will have to borrow of someone and the Machette we will eaither had to  borrow or buy.

The below screen shot shows the estimated price of buying a Machette:

Becasue of the weather being cold we have done some research into buying a read coat for the actress, below is a print screen of the estimated price for this, the price would be £3.69 including postage;

 We have experimented with various fonts for out titles, these are shown below:

We have decided on the last font. We will do this in red and white so it flashes on the black background like a heart beat. The sketchy text indicates the disturbed mind of the killer, and the red colour indicates danger.

Analysis

MISE EN SCÉNEMise en Scéne is a Frecnh term meaning what is put into the scene or frame. What is put in or left out can make a big difference to the signals we, the audience, receive about what sort of film it is and how we are supposed to feel at this point.

A simple shot of a tree can be made to look threatening by stripping it of leaves, adding a vulture and some lightening and shooting it in darkness. The same tree can be given a very different look by having children playing beneath its sunlit branches. As an experienced film audience we are able to read these hidden signals of lighting, colour, props and characters and add these to our understanding of what will happen in the film.

In this way, the elements of mise en scéne are an indicator as to the genre (type) of film we are watching. We have certain expectations of the mise en scéne in different genres of films; e.g. Horror; Dark, creepy, evil.
Comedy; Bright, colourful, lively.

The elements to consider in the mise en scéne are:
a) settings & props
b) costume, hair & make-up
c) facial expressions & body language
d) lighting & colour
e) position ing of characters & objects within a frame

Heres a brief look at each of these in turn;
SETTINGS & PROPS

SETTINGS:
The settings used in a film are very rarely just backgrounds to the characters' dialogue and indeed we will often see shots of places without any action taking place. In this way the setting of a film is far more significant than the setting of a theatre and is almost always infinitely more detailed. Filmmakers can choose to build a setting from scratch using the bare walls and floor of a studio set; alternatively, a great deal of time and effort is put in by a location manager in the initial stages of making a fil;m to find a setting which already exists. Invariably this location will then be altered further to reflect exactly what the filmmaker wants to convery.

Settings can be used to manipulate an audience by building certain expectations and then the action takes a different turn, for instance, a tale of horror set against the familiar background of modern everyday urban life is showhow more disturbing than one set a century ago in a house in the wooods. This can be particularaly effective if the setting goes against what we would expect from this genre of film.
PROPS:
Props is the term we give to objects in the setting which play a part in the action, rather than just being part of the background, for example, the glass containing the poisioned wine.

COSTUME, HAIR & MAKEUP

COSTUME:
Costume plays a large part in the mise en scéne because it can be an instant indicator to us of a character's personality, social status and job. It tells us immediately whether the film is set in the present and what society and/or culture it will centre around. It may also provide a clue as to the part of the caracter will play in the action. Certain types of costume are identified closely with indicidual genres, for instance, the black cloak of the vampire with a horror film.
MAKE UP:
In the early days of cinema, make-up was used to highlight facial features as black and white film stock could not register detail very well. Certain genres traditionally use make-up more than others.
LIGHTING & COLOURLIGHTING:
Lighting can aim to give a particular scene a very realistic look or to bring out the dramatic nature of it and we associate these different lighting styles with different genres. It can be used to achieve a variety of a effects, for example;

• To highlight important characters or objects within the frame by drawing our attention towards them with a bright light source.
• To make a  character look mysterious by shading sections of the face/body.
• To reflect a character's confused state of mind may be suggested by alternating bright and dark light quickly as in a strobe effect.

COLOUR:
The connotations that colour carries with it are an important influence as to the mood of a scene. We tend to associate certain colours with certain genres particularly with reference to film posters and publicity materials which rely on the public quickly being able to identify with a film even from a distance.

POSITIONING OF CHARACTERS & OBJECTS WITHIN A FRAME
There are various ways in which the filmmaker can use positioning within the frame. For instance;

• If the filmmaker chooses to position a character or an object in the foreground of the shot we know that we, as an audience, should attach importance to this character or object; the mise en scéne is being used to direct our attention towards them. Likewise, we recognise that background events have less significance at this particular point in the narrative.
• A moving body or object placed against a stationary background will immediately draw our attention as it would in real life.
• If characters or objects are positioned evenly within the frame this will give a balanced feel ot the shot. If all the figures are at one end of the frame for example, this will create an imbalance for the eye by making the shot feel heavy on one side. These different types of spacing within the shot can be used to make the audience feel settled or unsettled, thus involving them in the action.
• If the positioning of figures and objects draws our atttention to the diagonal lines of the frame, this will help to inbalance the eye, especially if the lines of the background follow horizontal and vertical planes. This can be used to make the audience feel uncomfortable about the action that is taking place.
• The filmmaker can use positioning to indicate relationships between people, for example, if lovers are having an argument they will often be placed at the outside edges of the grame so there is a lot of physical distance between them to reflect the emotional distance they are experiencing at this point.

God of War 3 (trailer)

The opening is a blacked out frame, which has the sound of violent waves breaking. A non-dietetic voice over rolls over as well, it uses a deep voice, to symbolise the power and importance of what the narration is saying.an ELS/ES (establishing shot) is used to show that the tidal sounds used before are dietetic sounds. Far away into the distance you can make out a mountain, that appears to be on fire, the wave break covering the mountain. The powerful narration carries on throughout this shot and the rest of the media. Ambiance lighting is used as the wave crashes over; a lightning bolt far away in the distance illuminates the lightning from behind. This gives you a sense of distance between: the crashing wave, and the towering mountain. This occurs on a “keyword”, “CHAOS”. 

The shot changes to a MS of the shell of a tree, captivating the majority of the frame. Many bolts of lightning hit around the tree, illuminating it from different angles; as this happens the shot pans in a circle, revealing the mountain slightly closer than before; this gives the affect of destruction. With the panning camera angle suggesting that something to do with the mountains, is something to do with the destruction; the viewer might consider this to be an evil place by the lighting choices. The shot following is of a building collapsing, with what seems to be fire encroaching from behind, this makes the viewer think of a riot/rebellion, the dietetic sound of boulders falling, clarify the importance of the building in the shot. The shot is a long shot of the building sowing it crumple, however, there is and extreme long shot of the mountain in the back. It looming over the shot (in the same way it did with previous) combined with the strategic bolt of lightning at the peak, triggering the buildings collapse; strengthens the opinion that the mountain is the cause. 

 

Throughout these scenes there is non-dietetic sound (a voice over) the first being “our victory brought order to the land” and the second “prosperity to mankind” these refer to the shots as the first has a tree in the frame, and the second has a “man” made building. However the voice over juxtaposes the images, as the first is of a burnt, shell of a tree, and the second is the remnants of a building. This is almost foreshadowing events to happen or it is being used as a flash back. 

TO BE CONTINUED

Deadlines

Today we recieved our deadline for our post production work.


It needs to be completed by the 10th of December - 4 days from now.


This includes, Storyboards, Shooting list, Scripts and Research.


Storyboard ruff draft is complete, and Research is continous.

Group Meeting

We have been having multipul group meetings recently to keep up our progress on our post-production. Our storyboard is currently in draft form with the final peice being drawn up.

We had a group meeting today to go over our final draft of the storyboard to make sure all ideas are included before the final copy is drawn up by Ryan Newson.

Saw 6 and Flight Plan

Saw 6 

the opening credits are writen in a weird font you see 3 versions of the text all in differn't sizes moving at differnt times across the screen also a few of the letters seem to twice every so often.
this is to create a creepy feel to the film. the only lighting used is key light to keep a dark feel and uses Low key lighting to keep the film feeling dark the credits fade to black and fade in to part of jigsaws death traps the producer uses Extreme Close Ups of the traps slowly revealing the trap to the audience there is not alot of opening credits to finish the opening we see the first two victims waking up and wondering where they are using a medium close up. 



The plot of the opening is to introduce jigsaw the main cerial killer of the series new game of life and death and to show the audience how sick and twisted the film is going to become as in the first 5 minutes there is alot of blood ,gore and self harming.





Flight Plan  
Below is the opening to Flight Plan, Our theme for our opening peice is a thriller. I have looked at various openings to Thrillers, below is one of them. This Film begins with a train going past, after it 'Touchstone Pictures and Imagaine entertainment present', follows, it is white writing on a black background which creates a eerie feel , this is the first thing you see so it sets both the mood, and the setting of a train station, The rest of the titles follow in the style of a train going past, the kind of shutter, line effect going over the writing is used to create this, this also give a tense feel to it. After the last name, the black screen fades out and shows a train with a woman sitting on the bench persumed to be waiting for the train.  This scene is the establishing shot and shows the back of the lady in  the middle of the screen, this automaticly make you think she is the main charecter. High Key lighting is used in this scene. The doors of the train open and the camera beings to zoom into her with the words 'Flight Plan' in white, fading in beside her, the pause here and the time it takes to zoom in also creates a feel of suspence, its almost like your waiting for something to happen now. The writing 'Flight Plan', which establishes the name of the film, flashes and fades back out, the camera then turns to the other side and shows the front of her face, this is the first time you see her, it continues to zoom it up to a 'Close up' viewpoint to show the worried emotion on her face. Quite a Soft High Key lighting is used here, this is to make you look more at her expression and less at the shadows. This sets the scene and mood for the rest of the film, the screen then blanks out and opens on a new scence, where low key lighting is used. This is the begining of the film. This will help me with openings because it shows new ways of setting a scene and creating the mood for the rest of the film. This opening scene captures your intrest in the film so it is inportant it is intresting and full of tension and suspense.

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The use of colour in films

Colour working on the subconscious mind to create certain mood. Hospitals and dentists use pale colours in their waiting rooms, such as pale blues and greens, this is said to have a calming effect on the mind. Each colour has its own connotations, which may have been influenced by the culture of our beliefs, For example Christan's see the colour White as a symbol of purity where as in Indian religions white is seen as the colour of mourning.

In the early days if a film maker wanted to use colour it would be painted on the shots afterwards. Technicolour introduced their new system in the early nineteen thirties that colour film began to see a commercial possibility.

Colour film was nearly thirty per cent higher than black and white, the effects where so dramatic that major film makers where eager to use it. Today we expect films to be in colour, and anything in black and white is added for effect. In the early days it was the opposite and colour was only really used for fantasy films.

Red- Excitement, energy, passion, love, desire, speed, strength, power, heat, aggression, danger, fire, blood, war, violence.

Pink- Love, romance and excitement.

Beige- Unification, Quiet, Pleasantness, Clam and simplicity.

Yellow- Joy, Happiness, Betrayal, Optimism, Idealism, Imagination, Hope, Sunshine, Summer, Gold, Philosophy, Dishonesty, Cowardice, Jealousy, Conventousness, Deceit, Illness and hazard.

Blue- Peace, Tranquillity, cold, calm, stability, harmony, unity, trust, truth, confidence, conversation, security, cleanliness, order, loyalty, sky, water, technology, depression, appetite suppressant.

Turquoise- Sophistication, Feminine appeal.

Purple- Royalty, Nobility, spiritually, ceremony, mysterious, transformation, wisdom, enlightenment, cruelty, arrogance, mourning.

Lavender- Femininity, grace and elegance.

Green- Nature, enjoyment, Healthy, good luck, renewal, youth, spring, generosity, fertility, jealousy, inexperience, envy, misfortune, vigour.

Brown- Earth, stability, hearth, home, outdoors, reliability, comfort, endurance, simplicity and comfort.

Grey- Security, reliability, intelligence, staid, modesty, dignity, maturity, solid, conservative, practical, old age, sadness, boring, silver symbolizes calm.

White- Reverence, purity, birth, simplicity, cleanliness, peace, humility, snow, good, sterility, marriage (western cultures), Death (eastern cultures), Cold, clinical.

Black- Power, sexuality, sophistication, formality, elegance, wealth, mystery, fear, evil, unhappiness, depth, style, evil, sadness, remorse, anger, anonymity, underground, good technical colour, mourning, death (western cultures).

A film that uses colour to add drama is "Jennifer's body". {as shown in the image below}

This images use of pink and red  and the toned down colour in the background makes you think that the character is dangerous or even very desirable. this reflects the characters new persona; although the backgrounds lack of colour using dusty natural colours, portrays the depression, everyone is going through in the movie.

In the film Shindler's List the girl shown below, was shown wearing a red coat while the rest of the film was in black and white. This is done to show  you that the girl is of some importance, it also makes her stand out to the audience while in the film not much attention is payed towards her.

Dawn of the Dead (2004)

Dawn of the Dead (2004) {First Scene 00:00-01:00}

To begin with there are the dedications, to the filming groups, that help put the movie together; (such as logos, and iconic animations, “universal studios”).

However, instead of their iconic backing track, there is a more eerie track that runs through the dedications. This instantly puts the audience out of there comfort zone; helping to add to the films atmosphere. Relating to the fact that the genre is horror, a low continuous sound with a few distortions helps to create the atmosphere for the following scenes.

The final logo then dissolves, into what looks like a fire or chemicals mixing (a bright, moving mass of a yellowy orange substance). This then has a use of non-diegetic sound of fire burning, or even something dissolving in acid. These sounds will most like have been produced, using a technique called Foley art/sound.

The camera zooms out changing the colour of the mas to a white and blue; as the camera retreats farther the image of an X-Ray is shown, this would be considered the establishing shot; as unlike the first shot (established as a extreme close up of the X-Ray) I lets the audience know that it is in a hospital, this is strengthened by the fact that the shot is over the shoulder of a person in a lab coat. The audio also fades out, and the diegetic dialogue fades in. this almost gives the impression of snapping into reality or fading out of it.

The shot then zooms out further, to reveal the shot is over the shoulder of a doctor. This reveals the it is the doctor talking and not a voice over. A mid shot is used for the two characters to swap dialogue, once the character has finished his phone call the shot jumps out with no audio; to a long shot. This use of jumpy camera changes is typical of horror film as it adds a sense of urgency. As the characters begin to talk the shot goes back to a mid shot, the use of going out to a long shot could be considered as the establishing shot (this would be as the shot show that both characters are in a hospital hall way).

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Title Credits for Dawn of the Dead

Title Credits for Dawn of the Dead

Camera Angles/Time	Screen Shot	Analysis
00:00, the camera frames the title to the bottom right.		The text appears showing the production name. It is a thick red text, this gives the impression of evil and blood. Because of it being written in capital letter, it farther supports the evil vibe
00:04, a extreme long shot is used of a mosque.		The text smudges past like blood it fades to a old film reel of Muslims praying in a mosque.
00:06, text framed to the lower middle.		This text fades out via the same as the other clips.
00:08, an ecu of a zombie is shown.		A shaky clip of a zombie is used, this a short clip that flashes in and out in a second or two.
00:09, a centred title.		There is the film title. The first word is large, then the insignificant words are smaller and thin. The final word “dead” is extremely large to emphasize the importance of the word.
00:13, a centred title.		The text the fades out in a similar way to all the other credits.
00:34, over the shoulder shot of a news conference. (ms)		This shows a news conference being held about the infection; the audio from this clip has been running through some of the first clips.
00:40, LS of some swat police officers.		This is one of the many new reels that flash on and off in a shaky way. These are mixed in with more credits. The song Ring of Fire, by Johnny Cash runs throughout the rest of the credits
01:03, the final scene is of a news, so it is all done like a fly on a wall.		This ends with the zombies breaking through the barricades and attacking the camera crew